Prompt content
5 prompt-specific parameters. Select any colored field inline.
Please turn the photo I uploaded into a , overall using a vertical composition. The image is strictly divided from top to bottom into four horizontal sections, each section's height must be precisely controlled to 25% of the total height (the four layers ratio strictly 1:1:1:1, no deviation allowed), sections are seamlessly connected, no dividing lines, no gaps, order: original image → style 1 → style 2 → style 3. Since each layer has an extremely flat 3:1 width-to-height ratio, the main subject of each layer is recommended to be centered horizontally, emphasizing wide left‑right whitespace and breathing space, avoiding vertical stretching or edge crowding. The four layers should maintain coherent continuity in character placement, scene structure, and gaze direction, presenting the same scene with four translated overall feeling. The style layers (second to fourth layers) must follow a minimalist principle: each layer's visual elements are reduced to the minimum, keeping only one core subject symbol, all secondary decorations, background details, and supporting elements are omitted, whitespace occupies at least 60% of the image. First layer retains the original photo's subject structure, real interaction and pose of characters, real texture, natural lighting and original color atmosphere, only slight high‑end photographic color grading, presenting magazine photography feel, without changing character relationships or composition logic, and may naturally extend sky, ground or environment background without altering relationships, to give more spatial and narrative sense. Second layer is : borrowing the painting technique of blue‑and‑white porcelain, using cobalt blue lines and washes on off‑white background to depict characters and scene, presenting the sparse elegance of porcelain patterns. Colors mainly cobalt blue and off‑white monochrome. Avoid excessive blue tonal variation, avoid cluttered decorative patterns. Third layer is : borrowing Dunhuang mural mineral heavy‑color texture, showing ancient rustic beauty, lines and color blocks need simplification. Background is earth‑yellow or ochre base with mottled mural texture. Colors mainly ochre, stone blue, vermilion, earth yellow. Avoid excessive crack texture, avoid complex decorative patterns. Fourth layer is : using embroidery stitch texture to render character and scene outlines, presenting silk sheen and stitch texture, pattern must be extremely simplified. Background is off‑white or light gray satin base. Colors use 2‑3 soft tones with gold‑thread accents. Avoid overly dense stitches, avoid excessive gold‑thread. Each layer must convert the subject and scene uniformly into the corresponding style, overall expressing extreme restraint and simplification, only keeping the core subject symbol and its basic outline relationship, deleting all non‑essential background elements, decorative details and supporting items; the key positional relationships, interaction direction and pose features between characters must be retained, but abstracted into recognizable outlines, achieving “the fewer elements, the clearer the relationships”. Colors are extracted from the original image, each layer strictly limited to 2‑4 main colors. The four sections' height ratios must strictly stay 1:1:1:1 (each 25%), no misalignment or ratio deviation. Overall avoid punk/cyberpunk style, forced overlay of realistic photo texture, cartoon style, 3D rendering feel, commercial poster feel, complex background stacking, too many elements or crowded composition, similar adjacent layer styles, and any text, logo, watermark or title.
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